
15.10.09
My Best AP 6

S-Curves and Windows
24.9.09
Poster #3 Gall
Poster #2 Cezanne
23.9.09
Poster #1 (Bard Style)
18.9.09
My Artists
Art director in Oslo
• Illustrator by night
• Does motion graphics and interactive design
• Owns art label Stupid Devil and enjoys participating in projects, exhibitions, and creative endeavors
Illustrator and painter
• Received over 50 awards (several Multiple Awards of Excellence from Communication Arts almost every year since 1988)
• Published four children’s books (America the Beautiful, Dear Fish, There's Nothing To Do On Mars, and Dinotrux)
one of the greatest post-impressionists, also influential in cubism
- began his work in impressionism
- insisted on personal expression and the integrity of the painting
- rejected the ‘romantic’ approach
- late 1870’s- entered constructive phase; characterized by the grouping of parallel, hatched brushstrokes in formations that build up a sense of mass in themselves
- Late Phase- concentrated on a few basic subjects: still lives of studio objects built around such recurring elements as apples, statuary, and tablecloths; studies of bathers, based upon the male model and drawing upon a combination of memory, earlier studies, and sources in the art of the past; and successive views of the Mont Sainte-Victoire, a nearby landmark, painted from his studio looking across the intervening valley
16.9.09
Balance & Form: The First Project
I had balance and form, which seemed really simple because it's balance and 3-D shape. I balanced this to the left side by placing my orange soda bottle to the left and blurring out the background.
I evened out this image by placing both halves of my bagels side-by-side so the image wouldn't be balanced to either one side or the center.
I arranged my crayons in a triangle shape to fill up nearly the entire frame.
I evened out this image by placing both halves of my bagels side-by-side so the image wouldn't be balanced to either one side or the center.
I arranged my crayons in a triangle shape to fill up nearly the entire frame.
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