The first two of these I was just messing around with the levels in photoshop and they looked kind of cool; the last one was the one we agreed was my best.
17.12.09
7.12.09
2.12.09
16.11.09
13.11.09
10.11.09
6.11.09
Feet
This is a pen & pastel drawing of my left foot. I like my blue foot especially. I like the way the top of that foot slopes downward and the arch of my foot. I also like the vertical foot and the detailing on the right side. The green foot, at the place right by the toes, looks too flat and almost as a 45-degree angle on the edge by the pinkie toe. I should have drawn all three feet a bit larger, they all seem confined to that rectangle in the middle.
15.10.09
My Best AP 6
I didn't have six projects from class that I felt were AP quality, so I just used the best poster I made (a class assingmentt, my best one I feel) and five of the best and most visually intresting photos I took oustdie of class. I went for photos thad thad strong color, contrsast and compostiont. The one I feel has the most potential for being a five or six is the one of the dog leaping into the lake after the duck decoy because of how strong the content is with the framing of the dog way to th left, the detail of the water slapsh around the dog, and of how hithg the contrast is in the photo.S-Curves and Windows
24.9.09
Poster #3 Gall
Poster #2 Cezanne
23.9.09
Poster #1 (Bard Style)
18.9.09
My Artists
Art director in Oslo
• Illustrator by night
• Does motion graphics and interactive design
• Owns art label Stupid Devil and enjoys participating in projects, exhibitions, and creative endeavors
Illustrator and painter
• Received over 50 awards (several Multiple Awards of Excellence from Communication Arts almost every year since 1988)
• Published four children’s books (America the Beautiful, Dear Fish, There's Nothing To Do On Mars, and Dinotrux)
one of the greatest post-impressionists, also influential in cubism
- began his work in impressionism
- insisted on personal expression and the integrity of the painting
- rejected the ‘romantic’ approach
- late 1870’s- entered constructive phase; characterized by the grouping of parallel, hatched brushstrokes in formations that build up a sense of mass in themselves
- Late Phase- concentrated on a few basic subjects: still lives of studio objects built around such recurring elements as apples, statuary, and tablecloths; studies of bathers, based upon the male model and drawing upon a combination of memory, earlier studies, and sources in the art of the past; and successive views of the Mont Sainte-Victoire, a nearby landmark, painted from his studio looking across the intervening valley
Subscribe to:
Comments (Atom)


































